One of the most amazing occurrences in [i]Austerlitz[/i] – creators of the performance managed to shroud the Holocaust theme into the robe of the present day.
Despite changing roles determined by vocal characteristics, all the heroines Urmana has ever performed are unified by their dramatic nature and enormous expression.
Two distinct directions can be traced in his professional path: theatre directing and organisation of international contemporary circus festival "Cirkuliacija".
In autumn 2019, production company “Operomanija” presented a site-specific, documentary, and partially experiential piece - a sonic experience at the Vilna ghetto titled "The Filler".
In his plays, Juška proposes symbols and metaphors, preferring action over words, since an action embodies the modes and metaphors contained in the novel.
[i]The Man of Fish[/i] by Eglė Švedkauskaitė is a piece by a young director that appears to have raised most interest among different generation critics in Lithuania in recent time.
Lithuanian National Opera and Ballet Theater presented the premiere of Sergey Prokofiev's opera [i]The Gambler[/i] with Asmik Grigorian in the leading role.